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Rossini - Eduardo e Cristina / Jara · Acosta · Dumitru · Gorny · J.O. Gomez · I Virtuosi di Praga· F. Corti

Import

Gioachino Rossini (Performer), Francesco Corti (Performer), Omar Jara (Performer), Format: Audio CD
4.6 4.6 out of 5 stars 8 ratings
$21.50
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Track Listings

Disc: 1

1 Atto Primo, Sinf - I Virtuosi Di Praga/Francesco Corti
2 Atto Primo, Intro: 'Giubila, O Patria' - Coro Da Camera Di Czechia/Pavel Baxa
3 Atto Primo, Terzetto: 'Misera! Innanzi Al Padre' - Carmen Acosta
4 Atto Primo, Stretta Dell'Introduzione: Ma La Schiera Vincitrice' - Omar Jara
5 Atto Primo, Recitativo: 'Delle Lagrime Tue' - Omar Jara
6 Atto Primo, Coro: 'Serti Intrecciar Le Vergini' - Coro Da Camera Di Czechia/Pavel Baxa
7 Atto Primo, Scena E Cavatina: 'D'Un Potente Nemico' - Eliseda Dumitru
8 Atto Primo, Recitativo: 'Duca, Per Te Respira' - Omar Jara
9 Atto Primo, Coro: 'O Ritiro, Che Soggiorno' - Coro Da Camera Di Czechia/Pavel Baxa
10 Atto Primo, Cavatina: 'E Svanita Ogni Speranza' - Carmen Acosta
11 Atto Primo, Recitativo: 'Del Mio Crudel Destino' - Carmen Acosta
12 Atto Primo, Scena E Duetto: 'Deh! Quel Pianto Rafferna' - Eliseda Dumitru
13 Atto Primo, Recitativo: 'Or Senti' - Eliseda Dumitru
14 Atto Primo, Coro: 'Vieni Al Tiempo' - Coro Da Camera Di Czechia/Pavel Baxa
15 Atto Primo, Recitativo: 'Al Tiempo, Si' - Omar Jara
16 Atto Primo, Scena Ed Aria: 'Che Miro!' - Omar Jara
17 Atto Primo, Rectiativo: 'Tremendo Caso' - Jorge Orland Gomez
18 Atto Primo, Finale I: 'A Che, Spietata Sorte' - Coro Da Camera Di Czechia/Pavel Baxa
19 Atto Primo, Seguito Del Finale I: 'T'Avnaza' - Omar Jara
20 Atto Primo, Quintetto Nel Finale: 'Oh Dio!...' - Carmen Acosta
21 Atto Primo, Seguito E Stretta: 'Vil Vassallo' - Eliseda Dumitru

Disc: 2

1 Atto Secondo, Coro D' Introduzione: 'Giorno Terribile' - Coro Da Camera Di Czechia/Pavel Baxa
2 Atto Secondo, Recitativo: 'Il Comun Duolo' - Jorge Orland Gomez
3 Atto Secondo, Coro: 'Impera Severa' - Coro Da Camera Di Czechia/Pavel Baxa
4 Atto Secondo, Recitativo: 'Dunque Spenta Ogni Speme' - Jorge Orland Gomez
5 Atto Secondo, Recitativo: 'Non Piu' - Omar Jara
6 Atto Secondo, Aria: 'Questa Man' - Konstantin Gorny
7 Atto Secondo, Recitativo: 'Ecco La Rea' - Omar Jara
8 Atto Secondo, Scena A Duetto: 'Non Piu...' - Omar Jara
9 Atto Secondo, Recitativo: 'Al Carcer Suo Sen Torna' - Konstantin Gorny
10 Atto Secondo, Coro: 'Me Misero Tuo Stato' - Coro Da Camera Di Czechia/Pavel Baxa
11 Atto Secondo, Scena: 'Ah! Che Sa Dirmi' - Eliseda Dumitru
12 Atto Secondo, Gran Scena Ed Aria: 'Arresta Il Colpo' - Carmen Acosta
13 Atto Secondo, Scena E Duetto: 'Raddoppia Il Fragore' - Carmen Acosta
14 Atto Secondo, Recitativo: 'Della Bella Cita, Del Porto' - Konstantin Gorny
15 Atto Secondo, Battaglia - I Virtuosi Di Praga/Francesco Corti
16 Atto Secondo, Recitativo: 'Ove Corro?' - Omar Jara
17 Atto Secondo, Recitativo: 'Stelle!...' - Omar Jara
18 Atto Secondo, Duetto: 'Come! Tu Sei?' - Omar Jara
19 Atto Secondo, Recitativo: 'Non Piu...Tutto Il Passato' - Omar Jara
20 Atto Secondo, Finale II: 'Or Piu A Voi Dolci Intorno Al Core' - Omar Jara

Product details

  • Product Dimensions ‏ : ‎ 5.57 x 0.86 x 4.92 inches; 7.36 ounces
  • Manufacturer ‏ : ‎ Bongiovanni
  • Date First Available ‏ : ‎ February 10, 2007
  • Label ‏ : ‎ Bongiovanni
  • ASIN ‏ : ‎ B0000044AK
  • Number of discs ‏ : ‎ 2
  • Customer Reviews:
    4.6 4.6 out of 5 stars 8 ratings

Customer reviews

4.6 out of 5 stars
4.6 out of 5
8 global ratings

Top review from the United States

Kindle Customer
4.0 out of 5 stars A TUNEFUL PASTICHE
Reviewed in the United States on September 4, 2000
This opera premiered in Venice on 24 April 1819, and is made up almost entirely of music composed for previous Neapolitan operas. The overture, for example, makes use of a crescendo from "Ermione;" and the entire first scene is used almost verbatim (musically) from "Adelaide di Borgogna." Other music was lifted from the 1818 opera "Ricciardo e Zoraide." Some of the music may have been stolen from another composer! At any rate, Rossini was so skillful in swiping the best music from his previous flops that he scored a big hit with "Edoardo e Cristina!" It played to various cities around Europe until at least 1840 and even was heard about this time in New York. As for this performance, Eliseda Dumitru sings the pants role of Edoardo with a firm dark sounding voice, and is able to handle the most difficult coloratura. (In my opinion, Ms. Dumitru is the star of the performance.) Cristina is sung by Carmen Acosta, a whiz at coloratura, who can sing some of the most hair-raising passages with ease. Omar Jara, as Carlo, King of Sweden, has a non-descript tenor voice, but sings well enough; and the secondaries do well what they have to do. A harpsichord is used to accompany the secco recitative instead of a forte-piano. Francesco Corti conducts this performance in a lively, likeable manner; I Virtuosi di Praga are superb musicians. There are exemplary notes by Marco Beghelli and there is also an English libretto. This is a nice set; I recommend it highly.
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Iwao Ando
5.0 out of 5 stars Choiced musics by Rossini himself
Reviewed in Germany on March 13, 2017
Verified Purchase
This opera is borrowing many passages from Rossini's other operas. These other operas are not well accepted so much. I think Rossini was sorry for some of the musics of these operas, which he thought good inventions. I believe this opera is among his great works, I enjoyed very much. The performers in this CD are excellent and good recording.
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Barrie Poiner
5.0 out of 5 stars Five Stars
Reviewed in the United Kingdom on December 24, 2015
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excellent
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Luca Maggio
4.0 out of 5 stars Curiosità storica
Reviewed in Italy on December 20, 2015
Verified Purchase
La pratica del centone (creare un'opera con parti di altre opere) era molto diffusa nel primo '800 e questo centone fu uno dei tre autorizzati da Rossini (insieme all'Ivanhoe e al Robert Bruce). Per appassionati.
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Elisa Carlotti
4.0 out of 5 stars Regalo
Reviewed in Italy on November 29, 2016
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Regalo comprato per mio papà, è un'opera molto rara ed è stato abbastanza contento a parte un piccolo appunto sui cantanti.
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Robert KAWKA
4.0 out of 5 stars for any rossiniano a must have
Reviewed in Germany on May 23, 2016
Verified Purchase
This dramma in 2 acts is a "centone", a "pasticcio" with music from other compositions, in this case of the composer him-self.
The material, 19 of the 26 musical numbers, comes from earlier Rossini's operas: Adelaide di Borgogna, Ermione, Ricciardo e Zoraide and Mose in Egitto. Very nice work made in only few weeks to an Italian libretto originally written by Giovanni Schmidt for Odoardo e Cristina (1810), an opera by Stefano Pavesi, and adapted for Rossini by Andrea Leone Tottola and Gherardo Bevilacqua-Aldobrandini.
The opera was first performed at the Teatro San Benedetto, Venice, on 24 April 1819 and given 24 performances that season - a graet Rossini's success!!
Good orchestra, good voices, good recording! The only existing of this Rossini's work, as I know. I recommend!!!
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